An interesting story of Margaret Bourke white by Alfred Eisenstadt in 1943.
Margaret Bourke-White ( ; June 14, 1904 – August 27, 1971) was an American photographer and documentary photographer
Margaret Bourke-White was the first known female war correspondent[5] and the first woman to be allowed to work in combat zones during World War II.
In 1941, she traveled to the Soviet Union just as Germany broke its pact of non-aggression.
She was the only foreign photographer in Moscow when German forces invaded. Taking refuge in the U.S. Embassy, she then captured the ensuing firestorms on camera.
As the war progressed, she was attached to the U.S. Army Air Force in North Africa, then to the U.S. Army in Italy and later in Germany. She repeatedly came under fire in Italy in areas of fierce fighting.
"The woman who had been torpedoed in the Mediterranean, strafed by the Luftwaffe, stranded on an Arctic island, bombarded in Moscow, and pulled out of the Chesapeake when her chopper crashed, was known to the Life staff as 'Maggie the Indestructible.'"[3] This incident in the Mediterranean refers to the sinking of the England-Africa bound British troopship SS Strathallan that she recorded in an article, "Women in Lifeboats", in Life, February 22, 1943.
She was disliked by General Dwight D Eisenhower but was friendly with his chauffeur/secretary, Irishwoman Kay Summersby, with whom she shared the lifeboat.
In the spring of 1945, she traveled throughout a collapsing Germany with Gen. George S. Patton.
She arrived at Buchenwald, the notorious concentration camp, and later said, "Using a camera was almost a relief. It interposed a slight barrier between myself and the horror in front of me."
After the war, she produced a book entitled Dear Fatherland, Rest Quietly, a project that helped her come to grips with the brutality she had witnessed during and after the war.
The editor of a collection of Bourke-White's photographs wrote: "To many who got in the way of a Bourke-White photograph—and that included not just bureaucrats and functionaries but professional colleagues like assistants, reporters, and other photographers—she was regarded as imperious, calculating, and insensitive.

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